As promised, I have managed to procure (if that is the right word in these circumstances) an interview with Hazel Butler, the author of Chasing Azrael (see review in previous post) which is to be published on 26th April, and is available to pre-order at Amazon, Waterstones and other booksellers now. As many of you will already know, I am rubbish and thinking up questions (one of many very good reasons that I am not a journalist), so my first order of business, apart from thanking Hazel, must be to say a huge THANK YOU to the wonderful people who helped me to come up with some good interview questions! You know who you are! I would also like to take a moment to direct you to Melanie's Blog, don't worry, it should open in another tab/window, so you can go to it in a little while, after you have read Hazel's interview...
Biography
Firstly, although Chasing Azrael is
your first novel, you have other published works. Could you tell me a bit about
them?
I have quite a bit of non-fictional
archaeology work published, including two papers in international journals and
several site reports. My first fictional piece, ‘Grave’, was published in
November last year, that’s a short story in an anthology of dark fantasy
fairytales in a volume called Willow,
Weep No More. I have quite a few other things in the works at the moment,
at various stages of completion.
What inspired you to write Chasing
Azrael?
The short answer to that is that I
needed to write it. I had been working on a Fantasy series (something I’m
hoping to go back to and finish at some stage), when I was diagnosed with
Bipolar Disorder in 2010. I’d been struggling for years and had never known
why, I’d been told several times I had depression and been put on
anti-depressants which only made it worse and, on two occasions, led to me
attempting suicide. When I finally got the diagnosis is was in some ways a huge
relief as I finally had an answer, but in other ways it left me with an awful
lot to sort through, both in terms of understanding my condition, and
understanding the effect it had on my life. I was in a very unhealthy
relationship at the time, and had been in numerous unhealthy relationships in
the past. So suicide, mental health, and relationships were all kind of jumbled
up together in my mind. I needed a way of sorting them all out and making sense
of everything. I started writing Chasing
Azrael as a means of doing that, and it did prove to be very cathartic.
Did you plan how the novel would end
before you wrote it?
No not at all. I had no plan what so
ever with this one, which is unusual for me because I’m usually an obsessive
planner. I wrote scenes as and when they came to me, and once I had something
resembling a narrative I sat down and tried to figure out the plot. The
original ending to the book was very different to the final ending, and it
changed several times. This was, for the most part, because I was still trying
to figure out what was best for the characters in the novel—and by some
extension myself, as Andee, the main character, does bear a vague resemblance
to me.
The book involves quite a lot of
Russian mythology/superstition, how did you go about researching these?
The same way I research anything—I’m
an archaeologist and currently in the final year of my PhD. Research is not new
to me I’m very used to doing it. I utilised my books, and a lot of online
resources, found some really good texts concerning Russian myths and used those
as a basis. At one stage I was working with a literary agent from London on the novel as
she was interested in representing it. She introduced me to the novel The Snow Child by Eowyn Ivey and
suggested we incorporate some of the myth that particular book was based on
(the Snow Maiden) into the story. That worked well, I felt.
Did
all of your research make the final edit?
No, not even remotely. There is a
wealth of information on Russian mythology and most of it was irrelevant to the
plot. Even the points I found that were relevant, there is a limit to how much
you can work into a narrative before it gets annoying. I have Lily, Andee’s
best friend, providing the research within the narrative as she’s a lecturer,
like Andee, but her specialty is Russian myth. That to me was a reasonably
natural way to incorporate so much research into the story without it coming
across as a huge information dump. Even so, I was conscious of including too
much of my own research; I’m so used to writing in an academic style, it’s very
easy to slip back into that while writing fiction, which results in very stiff
prose.
Can you tell us something from your research that didn’t make the
book?
I had a lot of research on the Tsar
(essentially mermaids), and the various bets and wagers they’re purported to
have made with men. I love these stories, and I have a bit of an obsession with
mermaids and sea creatures (which is very odd, as I actually have a really bad
phobia of sharks and consequently don’t like going in the sea). I would have
loved to incorporate this in the story somehow, but it just didn’t fit at all.
Maybe in another book…
I also became quite enamoured with
stories of Baba Yaga, a very famous witch in Russian mythology I first became
aware of as a child when I read Sarah Zettell’s Isavalta trilogy (also based on
Russian myth). This ended up forming the foundation for ‘Grave’.
Did the plot work as you had
planned, or did it change as you wrote the book?
They definitely changed as I wrote.
I don’t think there are many aspects that didn’t change as I wrote, the whole
book evolved over the course of the time I was working on it—nearly four years.
I was going through an immense amount of personal change, for various reasons,
and my perspective on things changed greatly over the course of that time. As a
result, the novel changed, the characters changed, and in particular the plot
changed.
How much of your first draft is
still there in the published novel?
The first draft was quite lacking in
plot, it had the main events there but nothing truly linking them together.
There were a lot of scenes that I wrote because they were important to me—in
particular scenes concerning Andee’s relationship with her husband, James—but I
wasn’t really sure how to connect that to the plot beyond the obvious fact she
was dealing with it. The original draft, the very first one, only had one ghost
in it (James), Natalya’s motivations were very different and the ending was
completely different. It was also much shorter. There are quite a few elements
that are still present from the original though, certain things that no matter
how many times I redrafted, they never went away.
Did you form a background ‘life’ for
each character before you wrote the novel?
For the main characters, yes. This was especially important as I was planning on writing more than one book in this series. I had basic information on all the characters but the main ones—Andee, James, Josh, Lily and Robert, I had detailed biographies for them, as well as for a few characters I knew would appear in later novels (in particular Evelynn, the protagonist in the second book), right from the start.
Are any of the characters based on
real people?
Andee and Evelynn both have some
parts of me in them, although I would say that has more to do with the
situations they find themselves in than their actual characters. Evelynn in
particular, due to her bipolar, is perhaps quite a bit like me. Lily was, to
some extent, based on one of my best friends, but only in the sense of the
closeness between them and the importance of the relationship to Andee. Other
than that, no.
How much did your life experience
affect the novel?
A lot. Far more than I realised at
first or would admit to for quite a long time. Andee has a lot of personal
issues, as well as the supernatural issues that crop up in the book. Since
writing the book was kind of my therapy I suppose it was inevitable that my
issues became her issues. I don’t think I fully realised that though, until I
found my editor reigning me in at certain points and pointing it out.
Chasing Azrael is the first in a
series, can you give us any clues as to where the series will go next?
The series is designed so that each
book is a standalone novel, however the overall plot and characters will
obviously develop from one book to the next, so if you read them in order you
will get a lot more from them. The next in the series, Death Becomes Me, is all
about Evelynn, a girl who actually popped up (very briefly) in Chasing Azrael, so the discerning reader
can make of that what they will. There is also some crossover in all the books,
and one of Chasing Azrael’s main characters will make an appearance as a minor
character in DBM. The rest of the series will follow a similar pattern, each
book will have its own core story and cast of characters, but there will be
some crossover in each. Andee and Evelynn are the focal characters of the
series however, and you will find that the main events revolve around them.
What are you working on next?
I’m currently working on Death Becomes Me, the second in the
series. I’m trying to nail the plot down before starting properly this time
though, unlike the way I approached writing Chasing
Azrael, so although I have a few scenes written, I haven’t started writing
fully yet.
What made you want to become an
author?
Books. Books made me want to become
an author. I’ve been an avid reader since I was a child, often reading things
other people thought very odd for a person of my age (because they were adult
books). I never progressed from Children’s books, to Young Adult, etc. as soon
as I was able to read I read whatever I could get my hands on, and my father
used to take me to the library once a week, every week, for a new haul. I did
read Children’s and Young Adult, but I read a lot of other things too. I’ve
always had stories in my head, characters clamouring to get out. For years I
thought ‘one day I’d like to be an author’, and then at some point I stopped
thinking ‘one day’ and just started writing.
Which books and authors have most
inspired/influenced you?
I’d read the complete works of
Arthur Conan Doyle, C.S. Lewis, Lewis Carol, and Edgar Alan Poe by the time I
was about ten, I think. I loved them all. I’ve had an abiding love of Margaret
Atwood and Angela Carter for years. When I was sixteen I read my first Robin
Hobb book and I’ve never found another author I enjoy as much since. Those are
the ones I would say inspired me, there are a host of others who have
influenced me though, most notably Terry Pratchett, Neil Gaiman, and Kelley
Armstrong.
Which book by someone else do you most wish that you had written, and why?
Definitely Robin Hobb’s Farseer
Trilogy. I have always wanted to be able to craft a fantasy world and
characters like she does, they are simply exquisite.
What, in your view, makes a good
protagonist/antagonist?
Depth, faults, and damage. I realise
that not all people in real life have these things, a lot of people are
painfully shallow, many go through life without experiencing anything truly
damaging, but I find that if a character I going to successfully carry me to
the end of a story, they have to do so my dint of their personality and
charisma. A plot can be excellent, but if you don’t have a strong protagonist I
will quickly loose interest in it no matter how good it is. I have little
patience for characters who are two dimensional and lack any real flavour. I
also struggle to relate to characters who have never had anything bad happen to
them, who have not got quirks of personality as a result of the bad things that
have happened to them. I also find it impossible to relate to characters
without flaws, because nobody is perfect. Where an antagonist is concerned, the
same is true, but I also need a really good motive. I come across so many who
are antagonistic simply for the sake of it, or have a banner of ‘insane’ hung
around their neck as if that fully explains their actions.
Who was your favourite author
growing up? And who is your favourite author now?
I think C.S. Lewis was probably my
favourite author as a child, just because I always found the Narnia books so
enchanting, no matter how many times I read them (I read them a lot). Once I
hit my teens that changed, Robin Hobb and Kelley Armstrong became my firm
favourites, the former for her utterly flawless fantasy worlds and completely
flawed characters (in particular Fitz), the latter for her wonderful books on
the supernatural. I had read a lot of paranormal/supernatural books by the time
I found Kelley Armstrong, but she was the first author I discovered who
actually wrote good characters with strong plot lines, rather than empty
characters and plots that hinged on unbelievable romances. This is not to say
there isn’t romance in Kelley Armstrong’s books, only that it is believable,
and quite squarely in the realms of sub-plots, rather than the main plot of each
novel.
If you weren’t a writer, what would
you be?
Well I’m an archaeologist, and
currently work as a freelance copywriter, editor, proofreader and illustrator
so, take your pick!
Tell us something about you that most
people don’t know?
I cry a lot over TV and films…
honestly it’s really quite ridiculous. The slightest thing, happy or sad, I
cry.
And finally; just for fun can you tell us;
Your favourite colour
Either purple or red. Sometimes
pink.
Your favourite food
Macaroni Cheese.
The last song you listened to?
Where Does The Good Go? By Tegan and
Sara.
The last thing you watched on telly?
Criminal Minds (and yes, I cried).
The book you are currently reading
(for enjoyment)?
Boneshaker by Cherie Priest.
And the last thing that you bought in
a shop/online?
Actually it was lingerie (shhhh, don’t tell the boys), but the boring kind as I’m currently poor.
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